Show Yourself

Copy to My Charts
Idina Menzel & Evan Rachel Wood • Frozen 2 (Original Motion Picture Soundtrack) [Deluxe Edition]
Transcribed by @foxmulderven

Transcriber notes

BPM: 123. My daughter loved this movie and I was shocked by the depth of the emotions and harmonic richness. A great composition that closely follows the emotions in the lyrics with the right musical arrangement! Enjoy :) Show Yourself from Frozen 2 chords for guitar. It was also cool to check online some other transcriptions like this: https://tabs.ultimate-guitar.com/tab/misc-cartoons/frozen-2-show-yourself-chords-2894489 which helped me correct some mistakes (he has some too)

Reference links

Columns
Paging
Lyrics
Chords
A

Intro

F#
F#
F#Maj7
F#
F#add11
B

Verse 1

F#
F#Maj7
F#
F#add11
F#
F#Maj7
D#m7
F#
C#/E#
B
C#
C#/E#
F#
F#add11
C#
C#/B
B
B/A
A
D
C#
Silence for accent in weak beat
C

Chorus 1

D#m
B
C#
Silence, repeat same weak beat accent
D#m
B
C#
D#m
B
F#
C#
Dº
D#m
B
Next chord isn't fully "played" but you can hear it in the arpeggio
G#
ff accents
D#m
G#
Key ChangeG Major
Em
A
D

Verse 2

G
D/F#
G
C
Voicings here are key. They use the previous root note so they feel like add9
D
D/C
C
C/Bb
Bb
Bb/Eb
Eb
D
E

Chorus 2

Em
C
D
Silence, repeat same weak beat accent
Em
C
D
Em
C
G
D
Ebº
Em
C
Here strings go crazy and create all the tension. These chords are the "sum" of all the notes I hear
A7sus2
A
A(omit3,#11)
F

Bridge

This section is great! Again, trying to make sense in a single chord of everything that's going on
< mp
D
D/C
Em9
C
< f, accents
G
G/A
G/B
Voicing (metals) changes, follows the melody. Some folks think the second chord is sus4. Both work.
D
D/C
Em9
C
G
G/A
G/B
Voicing (metals) makes the base chord "move" from major to aug
B
Baug
G

Main theme

preserves f but less attacks, so it feels lighter
Key ChangeD# Minor
D#m
G#
B
F#
> mf
G#m7
B
cresc. < ff
Silence for accent as usual
H

Chorus 3 +Ending

Key ChangeF Minor
Fm
Db
Eb
Silence, repeat same weak beat accent
Fm
Db
Eb
Fm
Db
Ab
Eb
Eº
Fm
Db
Bb7
Db
E
This last chord is played "twice". Once with emphasis on the voicing (which makes it Lydian first, then major)
Ab#11
Ab
THE END.